Hey guys! Check out my new band. Our name is Anues Somma Gool den Tehm Ahhriyt! We totally sing songs in English, if that’s what you’re wondering.
1 year ago • 0 notes
After a series of terse deliberations, Melissa and Jacob finally strike an accord in the Places des Vosges on April 20, 2010.
1 year ago • 1 noteLacan was right…
…when he said, and I quote, “The internet’s unconscious is structured like a language.”
(via videogum 2 weeks ago)
1 year ago • 0 notesThis week in Using YouTube Videos to Understand Critical Theory: a summary of Deleuze’s classic text, Difference and Repetition, as told by a Sears Optical ad from the 1970s.
SOYLENT GREEN IS MADE OF GLASSES!!!!
(via Jezebel and Vintage Ads)
1 year ago • 0 notesUsing pictures to understand words
Gustave Le Gray, Grande vague – Séte, 1855, albumen print from collodion on glass negative or negatives (Sotheby’s London, 27/10/1999, formerly Marie-Thérèse and André Jammes collection)
“What is this distinct-obscure which corresponds to the clear-confused? Consider Leibniz’s famous passages on the murmuring of the sea. Here too, two interpretations are possible. Either we say that the apperception of the whole noise is clear but confused (not distinct) because the component little perceptions are themselves distinct and obscure (not clear): distinct because they grasp differential relations and singularities; obscure because they are not yet ‘distinguished’, not yet differenciated. These singularities then condense to determine a threshold of consciousness in relation to our bodies, a threshold of differenciation on the basis of which the little perceptions are actualised, but actualised in an apperception which in turn is only clear and confused; clear because it is distinguished or differenciated, and confused because it is clear.” – Gilles Deleuze, Difference and Repetition (1968), trans. Paul Patton (New York: Columbia University Press, 1994), p. 213.
Good luck everyone!
2 years ago • 1 noteI feel like I’m no longer in the grapevine, but why hasn’t Spank Rock taken off to find MIA levels of exposure?
I heard this back in 2006 and it stopped me dead in my tracks. Perhaps it’s best that I haven’t heard anything since, keeps it fresh. The video is also good, made of equal parts Atari, ritalin, and Nam June Paik.
3 years ago • 0 notes“that’s the Love Guru”
From Troy Patterson, Slate, on the Oscars last night…
“The Franco-Rogen bit deserves a full-length critical appraisal. By full-length, I mean a Ph.D. dissertation tricked out with all the jargon about the contingency of gender performance and reader-response approaches to the late Pirandello. For starters, it had five or six layers of media analysis. (Franco: “Who do you think is a better actor, Ronald Reagan or Barack Obama?”) It rendered strange the familiar Apatovian ideas about masculinity and dude-hood. And it reimagined The Reader as a stoner comedy, a piece of criticism roughly in the same ballpark as Jackman’s terrific reduction of it, in the opening number, to something like the time on Sprockets when we dance.”
3 years ago • 0 notesconfession
i have never seen a single clip or episode or anything of the wire …i only just heard of it a coupe months ago …but now i feel i must get it on dvd and watch … .damn peer pressure …apparently if i dont buy it the entire economy is going to melt down …
I’d like to think that my post from ten minutes ago had something to do with this. YOU’RE WELCOME, ECONOMY.
3 years ago • 3 notes
André Royo!
rodeodog and I have been dutifully watching The Wire, and we’ve made it through the first two seasons. My favorite so far is Royo’s Bubbles, the CI/junkie whose mix of bodily ticks, endless wit and tragic addiction make him a good candidate for best character on TV (our president holds a different opinion, as he told the Las Vegas Sun last year). Bubbles has the distinction of being the show’s pathos, breaching the twin elements of comedy and tragedy that the series balances so well. That is, unless I have my Aristotle all wrong.
Ahh… to be several years behind the TV watching curve.
3 years ago • 0 notes